Curating Subcultures:
How does the diaspora enter the museums?
Is it clever, and if so, how to enter the museum from a diasporic position? What does it mean to claim that position, but to reject identity labels? What is a ‘subculture’ (before it is curated)? Panel with Nana Adusei-Poku, Pauline Boudry und Laima Kreivyté, Berlin, 26.10.2015
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