{"id":5526,"date":"2024-03-09T10:46:32","date_gmt":"2024-03-09T08:46:32","guid":{"rendered":"http:\/\/www.queer-institut.de\/?p=5526"},"modified":"2024-03-17T11:59:46","modified_gmt":"2024-03-17T09:59:46","slug":"queering-audibility","status":"publish","type":"post","link":"https:\/\/www.queer-institut.de\/en\/queering-audibility\/","title":{"rendered":"Queering Audibility"},"content":{"rendered":"<h2>Open Rehearsal, DE \/ EN \/ DGS (with sign language interpretation)<\/h2>\n<p>Thu 11 April, 2024, 8 pm Lettr\u00e9tage e. V., Veteranenstra\u00dfe 21, Berlin-Mitte<\/p>\n<p>Entrance fee: \u20ac 15 \/ \u20ac 5 (self-account)<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/924298414?h=6e90f86ffd\" width=\"640\" height=\"564\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p class=\"p1\"><span class=\"s1\">On the basis of two video works a collaboration develops between deaf performance artist Eyk Kauly and the hearing sound artists HYENAZ (Kate Fischer and Adrienne Teicher). Together they explore through sound, signs, and performance how conditions of audibility can be challenged. In this open rehearsal, the audience is invited to engage with the following questions: How does embodied performance and sign language inspire the creation of soundscapes? How does sound translate \u2013 with the help of sign language interpreters \u2013 into bodily experiences? Can sounding performance and performing sound help (re)imagine the perceived binary of Deaf and hearing, or other binaries? How are those bound to hearing, being heard and what does queering mean in the context of this audibility?<\/span><\/p>\n<div id=\"attachment_5516\" style=\"width: 310px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-5516\" class=\"wp-image-5516 size-medium\" src=\"http:\/\/www.queer-institut.de\/wp-content\/uploads\/\/HYENAZ-Signals_Still3-300x169.png\" alt=\"Video Still, schwarzer Hintergrund, dunkel-rosa Schrift, die lautet: &quot;words desire to be sliced, diced, stacked togther&quot;. Die drei Zeilen Schrift sind in der Mitte durch einen neon-pinken senkrechten Pinselstrich durchtennt.\" width=\"300\" height=\"169\" srcset=\"https:\/\/www.queer-institut.de\/wp-content\/uploads\/HYENAZ-Signals_Still3-300x169.png 300w, https:\/\/www.queer-institut.de\/wp-content\/uploads\/HYENAZ-Signals_Still3-1024x576.png 1024w, https:\/\/www.queer-institut.de\/wp-content\/uploads\/HYENAZ-Signals_Still3-150x84.png 150w, https:\/\/www.queer-institut.de\/wp-content\/uploads\/HYENAZ-Signals_Still3-768x432.png 768w, https:\/\/www.queer-institut.de\/wp-content\/uploads\/HYENAZ-Signals_Still3-1536x864.png 1536w, https:\/\/www.queer-institut.de\/wp-content\/uploads\/HYENAZ-Signals_Still3-624x351.png 624w, https:\/\/www.queer-institut.de\/wp-content\/uploads\/HYENAZ-Signals_Still3.png 1920w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><p id=\"caption-attachment-5516\" class=\"wp-caption-text\">Video Still, Signals (HYENAZ 2021), courtesy of the artists<\/p><\/div>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<div id=\"attachment_5518\" style=\"width: 310px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-5518\" class=\"wp-image-5518 size-medium\" src=\"http:\/\/www.queer-institut.de\/wp-content\/uploads\/\/Eyk-Kauly-300x169.jpg\" alt=\"Portrait-Foto des Tauben Performance-K\u00fcnstlers Eyk Kauly. Blick zur linken Seite, links lockiges Langhaar, rechts Kurzhaar, Vollbart und Schnurrbart, Silberohrring.\" width=\"300\" height=\"169\" srcset=\"https:\/\/www.queer-institut.de\/wp-content\/uploads\/Eyk-Kauly-300x169.jpg 300w, https:\/\/www.queer-institut.de\/wp-content\/uploads\/Eyk-Kauly-1024x576.jpg 1024w, https:\/\/www.queer-institut.de\/wp-content\/uploads\/Eyk-Kauly-150x84.jpg 150w, https:\/\/www.queer-institut.de\/wp-content\/uploads\/Eyk-Kauly-768x432.jpg 768w, https:\/\/www.queer-institut.de\/wp-content\/uploads\/Eyk-Kauly-624x351.jpg 624w, https:\/\/www.queer-institut.de\/wp-content\/uploads\/Eyk-Kauly.jpg 1280w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><p id=\"caption-attachment-5518\" class=\"wp-caption-text\">Foto: Eyk Kauly, private<\/p><\/div>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Initiated by<\/strong> Antkek Engel, iQt Berlin <a href=\"http:\/\/www.queer-institut.de\/\">http:\/\/www.queer-institut.de\/<\/a><\/p>\n<p><strong>with support of<\/strong> Franziska Winkler, Handverlesen <a href=\"https:\/\/poesiehandverlesen.de\/\">https:\/\/poesiehandverlesen.de\/<\/a><\/p>\n<p><strong>Concept and Performance:<\/strong><\/p>\n<p>Adrienne Teicher and Kathryn Fischer, HYENAZ <a href=\"https:\/\/www.hyenaz.com\/\">https:\/\/www.hyenaz.com\/<\/a><\/p>\n<p>Eyk Kauly, <a href=\"https:\/\/www.Facebook.com\/EykKauly\">https:\/\/www.Facebook.com\/EykKauly<\/a><\/p>\n<p><strong>Funded by<\/strong> Aktion Mensch und iQt<\/p>\n<div class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" class=\"wpa-warning wpa-suspicious-alt alignnone wp-image-2486 size-medium\" src=\"http:\/\/www.queer-institut.de\/wp-content\/uploads\/\/AM_Foerderungs_Logo_RGB-300x176.jpg\" alt=\"Logo Aktion Mensch\" width=\"300\" height=\"176\" data-warning=\"Suspicious alt text\" srcset=\"https:\/\/www.queer-institut.de\/wp-content\/uploads\/AM_Foerderungs_Logo_RGB-300x176.jpg 300w, https:\/\/www.queer-institut.de\/wp-content\/uploads\/AM_Foerderungs_Logo_RGB-150x88.jpg 150w, https:\/\/www.queer-institut.de\/wp-content\/uploads\/AM_Foerderungs_Logo_RGB-768x451.jpg 768w, https:\/\/www.queer-institut.de\/wp-content\/uploads\/AM_Foerderungs_Logo_RGB-1024x602.jpg 1024w, https:\/\/www.queer-institut.de\/wp-content\/uploads\/AM_Foerderungs_Logo_RGB-624x367.jpg 624w, https:\/\/www.queer-institut.de\/wp-content\/uploads\/AM_Foerderungs_Logo_RGB.jpg 1181w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/div>\n<p>&nbsp;<\/p>\n<p><strong>Check also:<\/strong><\/p>\n<p>Dana Cermane, DGS and IS videos on Anna Dau\u010d\u00edkov\u00e1&#8217;s video work <a href=\"https:\/\/interalia.queerstudies.pl\/issue-18-2023\/talking-to-you\/\"><em>Talking to You<\/em> (2021, excerpt 7:11 min)<\/a><\/p>\n<p>Mandy Wystorek, IS videos of the article <a href=\"https:\/\/interalia.queerstudies.pl\/issue-18-2023\/sprachwandel\/\">&#8220;Sprachwandel in Tauben queeren Communities in Deutschland&#8221;<\/a> (Language Change in Deaf Queer Communities in Germany) by Martin*a Vahem\u00e4e-Zierold and Maria Kopf<\/p>\n<p>both in <em>InterAlia: Journal of Queer Studies<\/em> 18-2023, ed. by Antke A. Engel und Anna T..<\/p>\n","protected":false},"excerpt":{"rendered":"<p>11 April, 2024, 8 pm, Lettr\u00e9tage, Berlin-Mitte (DE \/ EN \/ DGS \/ with sign language interpretation). <b>Hearing and Deaf performance art exploring their encounter<\/b> A a collaboration develops between deaf performance artist Eyk Kauly and the hearing sound artists HYENAZ (Kate Fischer and Adrienne Teicher). Together they explore through sound, signs, and performance how conditions of audibility can be challenged. <\/p>\n","protected":false},"author":2,"featured_media":5519,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[848,868,666,658,667,668,717,713,660],"tags":[875,876,862,864,770,867,873,866,877,865,788,723,874,863],"class_list":["post-5526","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-2024-en","category-2024-en-2","category-art-culture","category-current-and-upcoming","category-desiring-politics","category-embodiments","category-event","category-performance-en","category-research-group","tag-all-senses","tag-audibility","tag-body-politics","tag-deaf-culture-en","tag-embodied-speech","tag-eyk-kauly-en","tag-german-sign-language-dgs","tag-hyenaz-en","tag-overcoming-normativity","tag-performance-art-en","tag-queer-en","tag-sign-language","tag-sign-language-videos","tag-sound-art"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.queer-institut.de\/wp-content\/uploads\/Eyk-Kauly.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/panmCG-1r8","_links":{"self":[{"href":"https:\/\/www.queer-institut.de\/en\/wp-json\/wp\/v2\/posts\/5526","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.queer-institut.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.queer-institut.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.queer-institut.de\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.queer-institut.de\/en\/wp-json\/wp\/v2\/comments?post=5526"}],"version-history":[{"count":3,"href":"https:\/\/www.queer-institut.de\/en\/wp-json\/wp\/v2\/posts\/5526\/revisions"}],"predecessor-version":[{"id":5547,"href":"https:\/\/www.queer-institut.de\/en\/wp-json\/wp\/v2\/posts\/5526\/revisions\/5547"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.queer-institut.de\/en\/wp-json\/wp\/v2\/media\/5519"}],"wp:attachment":[{"href":"https:\/\/www.queer-institut.de\/en\/wp-json\/wp\/v2\/media?parent=5526"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.queer-institut.de\/en\/wp-json\/wp\/v2\/categories?post=5526"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.queer-institut.de\/en\/wp-json\/wp\/v2\/tags?post=5526"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}